Genden Phuntsok anchors a handsome Everest drama whose best achievement is making recognition of Tenzing Norgay part of the climb.
Endgame's grief and earned catharsis survive the return to theaters; the new Avengers: Doomsday material is an extra, not a reason to rejudge the film.
Brad Pitt and a combat dog give David Ayer's Alaskan survival thriller a convincing bond, even when the film spells out its sentiment too insistently.
Forgotten Island wraps a story about friends growing apart in a crowded, dazzling tour of Filipino folklore, and its feeling survives the clutter.
Daniel and the Fiery Furnace has a strong story of loyalty under pressure and a commanding king in Elijah Alexander, yet its broad dialogue and uneven spectacle keep that story at a distance.
The Beast of Mossy Bottom turns a ruined pumpkin patch into a playful creature feature, giving Shaun and the flock plenty of visual jokes even when the plot follows a well-worn path.
The Weight understands that stolen gold is valuable precisely because it is difficult to move, turning every river, bridge and suspicious companion into another cost desperate men must calculate.
Forbidden Compass is colorful, frantic and occasionally funny, but Tom and Jerry spend too much of their own movie serving a mythology that has little need for them.
Fall 2: Deadpoint finds a few genuine stomach-dropping thrills on Mount Kwan, even as a weaker script and more visible effects keep pulling the movie back toward earth.
Wile E. Coyote takes Acme to court in a clever live-action/animation hybrid that understands the old cartoons worked because failure itself could be funny.
Jacob Elordi, Josh Brolin and Margaret Qualley give The Dog Stars a humane center, even as the film’s increasingly busy second half loses some of the emotional clarity of its quieter opening.
Anne Hathaway and Ewan McGregor keep a lively prehistoric survival movie grounded, but The End of Oak Street is more fun as a throwback than it is distinctive on its own.
PAW Patrol: The Dino Movie delivers dinosaurs, rescues and a surprisingly sweet message about confidence with exactly the efficiency its young audience expects.
A bruised, character-driven Spider-Man film gives Tom Holland his strongest material yet, even as Marvel begins crowding the edges again.
Nolan's largest film is also one of his most human, a monumental journey home that never lets Odysseus forget what it cost to survive.
Catherine Lagaʻaia shines in a beautiful but overly familiar remake that mistakes physical scale for a new perspective.
A committed Zoey Deutch and a game ensemble keep David Wain’s absurd Hollywood comedy afloat when its joke machine begins running on fumes.
Milly Alcock is terrific as a damaged Kara Zor-El, but the film keeps sanding down the sharper edges of the comic that inspired it.
Pixar finds a real reason to return to Bonnie's room, placing Jessie at the center of a funny and unexpectedly moving fight for a child's attention.
Grogu remains irresistible and the practical world looks terrific, but Star Wars returns to theaters with a side quest instead of a real event.
A junior high science teacher wakes up alone at the far edge of the solar system and has to save the species. Somehow, the math checks out emotionally too.
