Liam and Noel Gallagher may be the reason the cameras are present, but the crowds become the soul of a concert film that understands an anthem can hold a family, a city and an entire generation at once.
La La Land still dazzles on the big screen, where Emma Stone, Ryan Gosling and Damien Chazelle’s carefully constructed dream of Los Angeles feels both more artificial and more emotionally honest.
The Rivals of Amziah King tries to be a folk tale, crime thriller, musical and family drama at once. It does not always hold together, but its best stretches feel completely alive.
SIX the Musical Live! is an energetic, sharply performed record of a theatrical phenomenon, led by six performers who understand exactly how to own an audience.
A carefully filmed stage capture that understands the turntable, the band, and the audience are not limitations to overcome, but part of the story.
Catherine Lagaʻaia shines in a beautiful but overly familiar remake that mistakes physical scale for a new perspective.
La Bola Negra can be overstuffed, sentimental and occasionally too aware of its own significance, but its ambition is inseparable from its power. Javier Ambrossi and Javier Calvo turn erased history into a lush, wounded piece of popular cinema.
